New York Classical Review

The Sebastians build a mighty fortress brick by brick in an intimate Mass in B minor

The Sebastians performed Bach’s Mass in B minor Tuesday night at St. Peter’s Church. Photo: Katie Mollison For your “only in ...
New York Classical Review

Helix provides energetic advocacy for a rich variety of youthful composers

As a composer and a saxophonist, Jeraled straddles classical and jazz. In his new piece, moments, the jazz comes tinged with ...
New York Classical Review

A thoughtful piano sonata journey from Scarlatti to a Liebermann premiere

The question seems like it has a simple answer that everyone knows because sonatas are everywhere in classical music. It’s ...
New York Classical Review

A trio of worthy debuts boosts Met’s “Onegin” revival

Asmik Grigorian as Tatiana and Iurii Samoilov in the title role of Tchaikovsky’s Eugene Onegin at the Metropolitan Opera.
New York Classical Review

Ruckus’s heart is in the Highlands with “Edinburgh Rollick”

Ruckus—the period-instruments ensemble that leaves listeners asking, “What period are we in?”—was up to its old and new tricks Sunday afternoon at Corpus Christi Church in Morningside Heights, in a ...
New York Classical Review

Viet Cuong premiere, Tsujii’s Beethoven highlight Orpheus program at Carnegie

If anything could shake off the weather, it was Viet Cuong’s bright new work, Time and Time Again, which received its world ...
New York Classical Review

Lim’s mercurial imagination runs free in richly textured Carnegie recital

Scriabin’s Sonata No. 2 was on the program, dubbed by the composer “Sonata-Fantasy.” In Lim’s hands, all the other pieces ...